the birth place of the title sequence was from a man named Maurice Binder worked on the title designs of 14 films about Agent 007, including the first episode, “Dr. No” in 1962. Maurice Binder created the famous gun-barrel sequence that has become the signature title sequence for the James bond series.
to kill a mocking bird
this title sequence has been named one of the best designed and made title sequences ever made in history and and this is where they start pushing the boundaries of how they can put the title sequences together and when this was made was the year where the title sequence was thriving and directors such as Alfred hitch cock and blake edwards was making the very best of the film industry and they were made purely to surprise the audience.
Saul Bass had some ideas and he used some of techniques for his title sequences: montage, live action, cut-out paper animation, typography in motion, to name a few. Whatever technique he used, Bass summarized the film as a metaphor that often shone with creativity.
this had caught the eyes of other directors and he had a presentation in Italy of his work to show off all the skills he had
this title sequence was quite significant because the potential of digital graphics and typography has attracted some of the most creative minds to motion design. Pixar and Disney have reserved crucial parts in the branding of their films for the title sequences. Using animated characters to introduce viewers to the story became a popular trend. Such talented graphic designers as Susan Bradley Toy Story, Monsters, Inc., WALL-E, Ratatouille and from this title sequence the motions design and now all
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